I stand at the edge of a new world, where landscapes do not rest and time does not freeze. I reject the static, the motionless, the passive! The Earth itself accelerates, and so must my art.

I. I PAINT SPEED, NOT STILLNESS.

Nature is not a quiet observer; it is a force in motion. My paintings shatter the illusion of stability—mountains pulse, rivers race, cities blur into pure energy.

II. COLOUR IS MY REVOLUTION.

I abandon the old, the muted, the predictable. My landscapes are drenched in electric blues, fiery reds, glowing and violent contrasts. I seek the impossible light, the unnatural glow, the unseen spectrum.

III. THE CANVAS IS A VORTEX.

I do not paint moments—I paint trajectories, echoes, reverberations. My compositions bend, warp, and fracture. Landscapes do not sit—they spiral, collide, and explode.

IV. TIME MUST BE LAYERED, NOT CAPTURED.

A single moment is a lie. I paint past, present, and future colliding. I use glazing, motion blur, texture, and fragmentation to force time into the frame, to make the viewer feel the rush of existence.

V. GEOMETRY AND CHAOS MUST CLASH.

Hard edges cut through the atmosphere. Structures disrupt the horizon. The organic and the mechanical coexist, fight, merge, and separate. The landscape is no longer earthbound—it is an evolving force.

VI. TEXTURE MUST BREAK THE SURFACE.

Flatness is death. My paintings are built, layered, torn apart, reconstructed. Palette knives, thick paint, impasto techniques—I sculpt landscapes as much as I paint them. The surface demands to be touched.

VII. STILLNESS IS OBSOLETE.

I reject passive observation. My paintings demand movement—the eye must race, the body must lean, the pulse must quicken. I force motion onto the canvas because motion is the only truth.

I AM THE NEW FUTURIST.

I PAINT THE WORLD AS IT MOVES.

I ERASE THE PAST AND BUILD THE FUTURE

THE FUTURE DOES NOT WAIT—AND NEITHER DO I.